The pre-Raphaelite muse who impressed Taylor Swift’s The Destiny of Ophelia

Source link : https://bq3anews.com/the-pre-raphaelite-muse-who-impressed-taylor-swifts-the-destiny-of-ophelia/

As a professor of pre-Raphaelite research, I used to be excited to peer that the monitor record for Taylor Swift’s twelfth album, The Lifetime of a Showgirl features a track referred to as The Destiny of Ophelia. Forward of the album’s unlock, enthusiasts and artwork historians speculated that the muse may just come from John Everett Millais’s portray Ophelia (1851-52), some of the visited artwork at Tate Britain.

The portray displays Ophelia, the heroine of Shakespeare’s play Hamlet (1623), floating within the river after her doomed courting had pushed her to insanity and suicide.

The duvet artwork for The Lifetime of a Showgirl confirms this. It displays Swift dressed in a silvery outfit, in part submerged in water together with her palms floating palm-up to the skin. To this point, so Everett Millais. Regardless that the styling may be very other from Millais’s paintings, the pose, with focal point on her palms and face, perceived to give a nod to his Ophelia.

Ophelia by means of John Everett Millais (1851-52).
Tate Britain

The style who posed for Millais’s portray, Elizabeth Siddal (who’s buried in Highgate, close to the place Swift as soon as lived) lay in a tub whilst he painted her. When the candles heating the water went out, she stayed there for hours, uncomplaining, till she was sick.

As a muse and style, Siddal exemplifies the girl silenced by means of and sacrificed to male inventive ambition. Swift’s…

—-

Author : bq3anews

Publish date : 2025-10-03 23:07:00

Copyright for syndicated content belongs to the linked Source.

—-

12345678