Source link : https://bq3anews.com/british-landscapes-a-sense-of-position-displays-how-concepts-of-surroundings-have-advanced-throughout-300-years-of-artwork/
The brand new exhibition of British landscapes at Pallant Area Gallery in Chichester options 160 works via some 60 artists. Those span from Thomas Gainsborough and the native Smith brothers within the 18th century to the inner-city wastelands of Prunella Clough within the Nineties.
But, in an exhibition drawn totally drawn from Pallant Area’s personal collections, there are inevitable emphases and gaps. Scottish and Welsh artists are most certainly higher represented than Scottish and Welsh landscapes.
Except for a collage of Bolton in 1937 via Julian Trevelyan, made whilst helping the early paintings of Mass Commentary – a social analysis initiative that documented on a regular basis lifestyles in British cities via writing, images and visible information – the north of England is in large part represented via wintry perspectives of Wharfedale. The Midlands and East Anglia are similarly underrepresented.
This exhibition isn’t about British, and even English landscapes, however about how a extensive vary of British artists spoke back to the landscapes they selected to depict.
The spirit of position
Getting into the exhibition, I handed some hanging works via Graham Sutherland and Edward Bawden. Bawden and Eric Ravilious are unsurprisingly well-represented on this display. But it jarred to be informed that they moved into within sight Nice Bardfield in 1932 “with their wives”. In the end, Charlotte Bawden and Tirzah Garwood have been themselves important…
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Author : bq3anews
Publish date : 2026-06-07 00:30:00
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